Good designers didn’t necessarily churn out designs that constantly made production. Instead, they advanced new design ideas, they influenced other good designers and they apparently networked like crazy. Or so one believes after reading Holden Koto’s autobiographical article in SIA #32, January-February 1976, detailing the first half of his professional career, split among Briggs, Hudson and Raymond Loewy’s design group. The second half of his story we’ll present next week.
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